The recent issue of a recording of Norma by Cecilia Bartoli, based on the new critical edition of the score and performed with period instruments, invariably invited comparison with other recordings of this work. Product details Original Release Date: Unfortunately, by the time the second version was taped a number of problems had reduced the power, scope, and steadiness of her voice. There was a problem filtering reviews right now. Amazon Drive Cloud storage from Amazon. One experiences the emotion with “Callas Two” and vocal splendor with “Sutherland One”.
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Alexa Actionable Analytics for the Web. ,p3 la voce sua soave mi chiamava” Elvira, Giorgio, Riccardo. Furthermore at one point in her first duet with Callas she alters the vocal line so as to avoid an exposed high C in a passage that mirrors a seracin C that Callas had easily voiced only moments previously. Likewise, if one wants to experience werafin live La Scala performance in the best possible sound the Divina Records version available at www. The recent issue of a recording of Norma by Cecilia Bartoli, based on the new critical edition of the score and performed with period instruments, invariably invited comparison with other recordings of this work. There’s a problem loading this menu right now. Likewise, if one wishes to know all there is to know about the Callas Norma both commercial recordings are essential.
Such an alteration would not serain been necessary with a higher voiced mezzo, or even better with the soprano of Bellini’s original concept. At any rate, in spite of all the shortcomings, taken as a whole this second recording takes pride of place given its more up to date sound and the greater uniformity of casting.
Also there is one place where I always heard a bit of pitch discrepancy at the end of the duet that concludes the first scene of act one in the stereo version and that has been corrected. Would have been perfect if the libretto was avalable as well! Amazon Segafin Cloud storage from Amazon.
Related albums at Maria Callas / Tullio Serafin – Donizetti: Lucia di Lammermoor:
It was noted that toward the end of her career that Giuditta Pasta was quite resourceful in her ability to compensate for her vocal decline by emphasizing the dramatic possibilities of her roles. The title role is a great one, to be sure, and its influence on later opera, from Wagner to verismo, is undeniable. However, if one wants to serarin the opera virtually complete as originally conceived by Bellini one needs something such as the first of Joan Sutherland’s two recordings where one finds perfect vocalism serfin is unfortunately not consistently combined serafln a total feeling for the sdrafin.
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Tullio Serafin (conductor) (page 11 of 28) | Presto Classical
Please click here to manage your MP3 cart content. Amazon Second Chance Pass it on, trade it in, give it a second life. Amazon Inspire Digital Educational Resources. It’s like the Last Supper of da Vinci in Milan English Choose a language for shopping. There was a problem filtering reviews right now. Muti’s direction is taut and dramatic; he famously permitted no time-honoured elaborations or additions so we get the score straight, with no interpolated top notes, such as the high F in “Credeasi misera!
Bellini: I puritani (1953 – Serafin) – Callas Remastered
Go Unlimited Start your day free trial. September 19, Release Date: Please try again later. As an example Callas usually produced an ethereal effect at the words “il sacro vischio io mieto” that conclude Norma’s opening recitative. Share your thoughts with other customers. Still, the remainder of her performance is representative mmp3 if she finds herself in some less than totally ideal surroundings.
Also, while Callas colors and shapes the aria “Casta diva” in a most elegant manner, not only are the highest notes a bit effortful, but she fails to make a diminuendo on the final note as she often did being possibly afraid that it would wobble out of control. I puritani – Serafin – Callas Remastered. I srrafin since switched allegiance regarding my favourite recording to the earlier recording with Sutherland and Pavarotti in finest form, so I do not agree with a previous reviewer that this remains the best available.
English Choose a language for shopping. Callas is definitely the closest to being the ideal interpreter of Norma based on what has been preserved in sound.
Furthermore there is a near ideal supporting cast of tenor Derafin Del Monaco, mezzo-soprano Serfin Simionato, and again bass Zaccaria that compensates in spades for anything lacking in the two commercial versions. Surely this is what Bellini intended though the effect is rarely pulled off with any degree of serain You have exceeded the maximum number of MP3 items in your MP3 cart.